Description
Iâhave this tradition I do every single year. Itâs kind of a ritual, one I keep to myself while the rest of the world is fussing aboutâcake and candles. When my birthday comes, I donât want aâparty. I donât need a whole crowd ofâpeople singing off-key in a noisy restaurant. I want to disappear. That typically means discovering theâcorner of the city that doesnât know I exist. This year, Iâspent some time amid the madness one afternoon in London, dodging onto St. Jamesâs Street and thence into a narrow, soot-stained alleyway. (To top it off, it was doing that fine, mistyâthing the rain does â not enough to actually soak you but somehow making everything feel heavy and muted.)
I discovered a small stone ledge beneath aâgreen awning covered in rust. Theânoises of the city â the black cabs slaloming through puddles, peopleâs muffled shouts, running to make a tube â might as well have been miles. I tookâa small leather case out of my pocket. In the inside pocketâwas a single stick Iâd been saving for just such a moment. There is something about being empty in a crowd and keeping a secretâthat makes the smoke taste better. I wasnâtâseeking a quick fix or a distraction. I was seeking conversationâwith myself. I wanted something hearty, something that would withstand the damp chillâof city air without being oppressive.
That smoke? The Montecristo Edmundo. Itâs been my âbirthday secretâ for a few yearsânow, and every time I clip the cap, I remember why I keep turning back to it. Itâs a cigar, toâbe sure, but also an anchor in an ever-faster world.
The Specs
| Attribute | Detail |
|---|---|
| Product Type | Cigar |
| Vitola de Galera | Edmundo (Double Robusto) |
| Length | 135 mm (5.26 inches) |
| Ring Gauge | 52 |
| Origin | Cuba (Pinar del Rio) |
| Factory | H. Upmann (Havana) |
| Wrapper/Binder/Filler | 100%âVuelta Abajo (Cuban) |
The Build and the Feel
I have to say, an Edmundo is a very niceâsize to hold in the hand. Itâs got that 52 ring gauge, which in my hand makes it a handful of a cigar â not too bulky like some of those thick “jaw-breakers” around today, yetâcertainly more presence than a typical mareva. The wrapper on this one was a classic Colorado shade, sort of reddish-bean brown under the dim streetlights, andâwith oiliness typical of these irrigated leaves. I could feel that slightly roughness as I ran my thumb over the surface â notâperfectly smooth, with that touch of coarseness to it (it tells you itâs a real Cuban leaf from the Vuelta Abajo).
I took a long whiffâof the foot, even before digging out my lighter. Iâm tellingâyou, half the fun is in the pre-light aroma. I got a weird but pleasing blend of wood chips and wheat bran, with anâundercurrent of mocha. There was even a nice little flick ofâsweet lemongrass at the top note of the nose. I made a straightâcut â quick and clean. The cold draw was spot on. Not too loose, not like taking a drag of air through a straw, but with enough resistance to let you know the rollers at theâH. Upmann factory knew what they were doing that day. Pre-light: I got a sense of spice and dry cedar before even lightingâup.
The First Third: The Awakening
It takes some patience toâlight up in a damp alleyway. You don’t want to scorch thatâfoot, cook it in. The firstâfew puffs, once I was able to get it going, were everything I would expect from a Montecristo: earthy and honest. Itâs right in that medium-bodied zone,âreally accessible. I got a lot of oak and straightaway there was a clean, dry coffeeânote. It isnât attemptingâto blow your head off in the first five minutes. It feels more likeâa gradual handshake.
The smoke was dense and white, rising toward the awning and lingering in the humidâair. I picked up the scent of burning tobacco that had this âwet grassâ and liquorice sort ofâsmell to it â strange, I know, but if youâve spent any time in Cuba sniffing around tobacco farms youâll know exactly what I mean. Itâs the scent of the soilâafter a storm. An inch in, some nutmeg began toâedge in and mellow out the initial oaky bite. It felt balanced. Solid. I didnâtâthink of all the emails I hadnât responded to, or that I was technically âgetting older.â Man, I was just thinking about thet cumplinâ burn line anâ how that thingâwas keepinâ so straight in spite of this wind.
The Second Third: TheâPlot Thickens
Into the second third, andâthat Edmundo came shining through!
_EXECUTEORDERS: And there they were. Here is where the âDouble Robustoâ sideâof things really kicks in. The body backed off ever so slightly from medium toâa more self-assured medium-full. The flavors began to pile on like aâgood story. And that straightforward coffee note Iâd found up topâhad deepened into rich mocha, and then â out of left field!â I caught this big shot of black currant. It offeredâdark, fruity sweetness that played against a new peppery zing on the retrohale.
I have smoked these over the years, and Iâveânoticed the latest production batches having more of that “kick” to them. This one bringsâme back to those days, maybe ten or fifteen years ago when the Edmundo was a little milder and is more centered on cedar. But this? This was at some ligeroâpower. I began to detect cinnamonâand a hint of anise. And itâs a complicated profile, though not a messy oneâ. Every flavor has its place. The vanilla note everyone raves about made an appearance mid-wayâthrough, taiming the coffee bean bitterness that was beginning to take hold. It is a refined departure, the sort that prompts you to stop and study the cigarâfor a moment, admiring the craftsmanship.
The Final Third: A BrashâConclusion
AsâI hit the finÂal stretch, the city began to wake up a bit more but I was in my zone. The Edmundo wasâbeginning to take liberties. Weâre talking full-bodied territory. The spice increased and those baking spices I had detectedâbefore became more of a full-throttled black pepper and dark espresso. Should have known theâ”woodiness” which is a signature of Montecristo would be in there; indeed it formed much of the essence of this smoke. It wasn’t harsh, though. It kept its balance even asâit got shorter and hotter.
I picked up a little bitâof fruitiness lingering in the background to help keep the super-heavy earth and leather from being too one-note. Its finish wasâlengthy and lasting. Five minutes after Iâd taken a hit,âI could still taste that mocha and oak. I smoked it all the way to the nub, down to myâfingers getting hot. I didn’t want to let it go. Thereâs a reason this label is responsible for almost half of what Cuba exports to the rest ofâthe world â itâs that consistency in character. Itâs a “grown-up” smoke.
Pairing Recommendations
Now, here is the thing: I was on a street corner, so you better believe I was slugging from a flask of black coffeeââ strong and no sugar. It wasâa perfect match, accenting the cigarâs mocha and toasted notes. But what if I were in a leather chairâby a fire? Iâd go a different route.
- Rum â Aged: Maybe something like HavanaâClub 7. Sweet rum takes all the pepper of the finalâthird away nicely.
- Stout: Aâheavy, chocolatey oatmeal stout. The creaminess ofâthe beer is a nice contrast to the Edmundoâs vanilla and espresso accents.
- Single Malt: Look for a touch of Sherry caskâinfluence. You need those dried fruit notes to make a bridge with theâblack currant I talked about.
The Verdict
See, the Montecristo Edmundo isnât a âbeginnerâsâ cigar â thatâs for certain â but itâs alsoânot some inscrutable monster. Itâs a classic for a reason. Itâs got history â it was named for Edmond DantĂšs, akaâthe dude who spends years plotting his revenge in The Count of Monte Cristo. A littleâof that patience and depth is in the smoke itself. Itâs a cigar that forces you to sit stillâfor an hour and some odd.
Is it perfect? Nothing is. You might occasionally get a tight draw if youâre unlucky with any given box, butâones from the H. Upmann factory recently have been quite consistent for me. It is aârich, kinetic sensation that begins as a whisper of earth and ends in a shout of espresso and spice. For a birthday tradition in a lonely alleyway,âI couldnât ask for better company. If youâre looking for something to hold in the hand and contemplate through that perhaps complex wine, this will doâjust fine. Just take care you let it have the time itâneeds. Donât forceâan Edmundo; itâs so full of things to say.
Final Thought: It’s a staple. And if I donât have at leastâthree of these resting in my humidor at a time, my family feels incomplete.
















